Scenes & switching
Cut like a control room
Compose scenes from cameras, screens, capture cards, clips, browsers and overlays. Preview what's next, then take it to air — with studio mode for two-monitor discipline or direct editing when you're moving fast.
- Program / preview switching with TAKE, CUT and auto-transitions
- Layer editor with crop, corner-pin, chroma key and person segmentation
- Saved scenes with live thumbnails, synced across canvases
Show Deck
Every button of your show, one surface
Build a deck of tiles that run your show: fire scenes with their own transitions, trigger graphics, play sound effects, start recordings, ride faders. Then take it anywhere — a floating mini panel, global hotkeys, or any phone on your network as a web remote.
- Scene tiles with per-tile transition overrides
- Channel strips, master faders and sound pads on the grid
- Web remote over Wi-Fi — the deck in your pocket
Media Studio
The prep room for everything on air
One window to browse, build and rehearse: your whole library organized by type, a full canvas editor, AI-generated overlays and sound, and a stage to try it all before the audience sees it.
- Library of cameras, clips, overlays, 3D text and sound — one add surface
- Full layer inspector: filters, keying, corners, borders, effects
- Generate overlays, stills and sound effects with AI, in place
Motion graphics
Transitions with real choreography
A keyframe animation engine lives inside the mixer. Animate any stack of layers — extruded 3D text included — through smooth spline paths, park a lower third on screen with a hold, and fire the whole thing from a deck button with its own sound.
- Multi-layer keyframe timelines with monotone-spline easing
- Holds for lower thirds — fire on, park, release off
- Per-transition sound effects with fades and offsets
Audio
A real mixer, not a volume slider
Every source is a channel with AIR, CUE and MON routing — what the stream hears, what your headphones hear, and what the room hears are three different mixes. Jitter-buffered engines keep it crackle-free for hours.
- Per-channel EQ, dynamics and noise reduction inserts
- Virtual mic & speaker devices: clean mix-minus call audio in Teams or Zoom
- Route the Mac's own audio into a fader instead of over your show
Outputs
One show, everywhere at once
The mix goes wherever you need it: a virtual camera that Teams, Zoom and Meet treat as hardware, multi-destination RTMP streaming, NDI to other machines, crash-safe recordings with a rolling replay buffer — and a second 9:16 canvas so vertical gets a real edit, not a crop.
- Virtual camera + mic: your produced show inside any meeting
- Stream to Twitch, YouTube, Kick and custom RTMP together
- Independent vertical canvas with its own scenes and outputs